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Layers are the elements that make up a composition. Without layers, a composition is only an empty frame. Use as many layers as necessary to create your composition. Some compositions contain thousands of layers, whereas some compositions contain only one layer. The primary difference is that each After Effects layer can have no more than one footage item as its source, whereas a Premiere Pro track typically contains multiple clips.

Layers in After Effects are also similar to layers in Photoshop, though the interface for working with layers differs. Working with layers in the Timeline panel in After Effects is similar to working adobe after effects cs6 video copilot free free layers in the Layers panel in Photoshop. Video and audio layers that are based on footage items that you import, such as still images, movies, and audio tracks. Layers that you free dead for pc download realm within After Effects to perform special functions, such as cameras, lights, adjustment layers, and null objects.

Solid-color layers that are based on solid-color footage items that you create within After Effects. Synthetic layers that hold visual elements that you create within After Effects, such as shape layers and text layers.

When you modify a layer, you do not affect its source footage item. You can use the same footage item as the source for more than one layer and use the footage differently in each instance. See Importing and interpreting footage items. Changes made to one layer do not affect other layers, unless you specifically link the layers. For example, you can move, rotate, and draw masks for one layer without disturbing any other layers in the composition.

After Effects automatically numbers all layers in a composition. By default, these numbers are adobe after effects cs6 video copilot free free in the Timeline panel next to the layer name. The number corresponds to the position of that layer in the stacking order. When the stacking order changes, After Effects changes all numbers accordingly. The layer stacking order affects rendering order and therefore affects how the composition is rendered for previews and final output. See Render order and collapsing transformations.

After you add a layer to a composition, you can reposition the layer in the Composition panel. You can also change any of the properties of a layer in the Timeline panel.

See Layer properties in the Timeline panel. You can perform many tasks—such as drawing masks—in either the Composition panel or the Layer panel. However, other tasks—such по этой ссылке tracking motion and using the paint tools—must be performed in the Layer panel.

The Layer panel shows you a layer before any transforms are applied to the layer. For example, the Layer panel does not по этому сообщению the result of modifying the Scale property of a layer. To see a layer in context with other layers and with the results of transforms, use the Composition panel. Layers that are not based on a source footage item are synthetic layers.

Synthetic layers include text layers and shape layers. You cannot open a synthetic layer in the Layer panel. You can, however, precompose a synthetic layer and open the precomposition in the Layer panel. To view changes to a layer such as masks or effects in the Layer panel, select Render in the Layer panel. Deselect Render to view the original, unaltered layer. You can create a layer from any footage item in the Project panel, including another composition.

After you add a footage item to a composition, you can modify and animate the resulting layer. When you add a composition to another composition, you create a layer that uses the composition that you added as its source. See Precomposing, nesting, and pre-rendering. By default, when you create a layer with a still image as its source, the duration of the layer is the duration of the composition.

By default, new layers begin at the beginning of the composition duration. Often, the next step after adding a layer to a composition is scaling and positioning the layer to fit in the frame.

See Scale or flip a layer. When you create layers from multiple footage items, the layers appear in the layer stacking order in the Timeline panel in the order in which they were selected in the Project panel. Hold Shift while dragging to snap the layer to the center or edges of the composition.

You can trim a moving-image footage item in the Footage panel before inserting a layer based on that footage item into a composition. Double-click a footage item in the Project panel to open it adobe after effects cs6 video copilot free free the Adobe after effects cs6 video copilot free free panel.

See View footage items in the Footage panel. Move the current-time indicator in the Footage panel to the frame that you want to use as the In point of the layer, and click the Set In Point button at the bottom of the Footage panel.

Overlay Edit. Creates the layer at the top of the layer stacking order, with the In point set at the current time in the Timeline panel. Ripple Insert Edit. Also creates the layer at the top of the layer stacking order, with the In microsoft office powerpoint 2010 free set at the current time in the Timeline panel, but splits all other layers.

Newly created split layers are moved later in time so that their In points are at the same time as the Out point of the inserted layer. You can create layers of any solid color and any size up to 30,x30, pixels. Solid-color layers have solid-color footage читать полностью as their sources. Solid-color layers and solid-color footage items are both usually called solids.

Solids work just like any other footage item: You can add masks, modify transform properties, adobe after effects cs6 video copilot free free apply effects to a layer that has a solid as its source footage item. Use solids to color a background, as the basis of a control layer for a compound effect, or to create simple graphic images.

To learn how to modify solids folder for better project organization, see Enhanced solids folder organization. Jeff Almasol provides a script on his redefinery website with which you can rename the selected solid footage items in the Project panel. You can use this script to, for example, include the pixel dimensions, aspect ratio, and RGB color values in the name. To create a layer that fits the composition when you create a solid-color layer, choose Make Comp Size.

When you apply an effect to a layer, the effect applies only to that layer and no others. However, an effect can exist independently if you create an adjustment layer for it.

Any effects applied adobe after effects cs6 video copilot free free an adjustment layer affect all layers below it in the layer stacking order. An adjustment layer at the bottom of the layer stacking order has no visible result. Because effects on adjustment layers apply to all layers beneath them, they are useful for привожу ссылку effects to many layers at once. In other respects, an adjustment layer behaves like other microsoft 2010 standard free free for example, you can use keyframes or expressions with any adjustment layer property.

A more accurate description is that the adjustment layer applies the effect to the composite created from all layers below the adjustment layer in the layer stacking order. For this reason, adobe after effects cs6 video copilot free free an effect to an adjustment layer improves rendering performance compared with applying the same effect separately to each of the underlying layers. If you want to apply an effect or transformation to a collection of layers, you can precompose the layers and then apply the effect or transformation to the precomposition layer.

See Precompose layers. Use masks on an adjustment layer to apply an effect to only parts of the underlying layers. You can animate masks to follow moving subjects in the underlying layers. Andrew Kramer provides a video tutorial on his Video Copilot website in which he shows how to use an adjustment layer to apply an effect to only a short duration and to only specific portions of a movie. Eran Stern provides a video tutorial on the Creative COW website that demonstrates the use of lights as adjustment layers, to precisely control which layers are affected by which lights.

Lloyd Alvarez provides a script on his After Effects Scripts website that creates an adjustment layer above each selected layer, with each new adjustment layer trimmed to the duration of the selected layer. This PSD file consists of a blank Photoshop layer that has the same dimensions as your composition, with the appropriate title-safe, and action-safe guides.

The color bit depth of the PSD file is the same as the color bit depth of your After Effects project. Any changes that you save in Photoshop appear in the footage item in After Effects. Legal Notices Online Privacy Policy. Buy now. User Guide Cancel. Layers overview. You can create several kinds of layers:. Video and audio layers that are based on footage items that you import, such as still images, movies, and audio tracks Layers that you create within After Effects to perform special functions, such as cameras, lights, adjustment layers, and null objects Solid-color layers that are based on solid-color footage items that you create within After Effects Synthetic layers that hold visual elements that you create within After Effects, such as узнать больше layers and text layers Precomposition layers, which use compositions as their source footage items.

Layers in the Layer, Composition, and Timeline panels. Opening layers and layer sources. Create layers from footage items or change layer source. Create layers from one or more footage items. Select one or more footage items and folders in the Факт. windows 10 black screen startup slow free download извиняюсь panel.

Do one of the following:. Drag the selected footage items to the Composition panel. Drag the selected footage items to the Timeline panel. When you drag the item into the layer outline, a highlight bar indicates the layer appearence when you release the mouse button. If you drag the item over adobe after effects cs6 video copilot free free time graph area, a time marker indicates the position of the In point of the layer when you release the mouse button.

Hold Shift while dragging to snap the In point to the current-time indicator.

 

 

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